2nd Garage triennial of Russian contemporary art. A beautiful night for all the people

Description

The 2nd Garage Triennial reveals the strength and diversity of relationships operating in Russian art today. Artists from the 1st Garage Triennial were invited to take part in a social experiment and recommend artists for the 2nd Garage Triennial, with two conditions. The first was that the relationship between the recommender and the participant must be explicit (teacher/student, parent/child, seller/buyer). Secondly, the recommender had to do something for the recommended artist’s project (write a text, conduct an interview, help with the production or choice of works for the exhibition). In line with these two conditions, artists from the 1st Garage Triennial recommended not only other artists but also research projects, science labs, educational organizations, and charities.

The non-coherent method chosen by the curators is not new. Earlier Russian projects based on similar ideas include Viktor Misiano’s exhibition Experimental Research (part of the international project Molteplici Culture: itinerari dell’arte contemporanea in un mondo che cambia, Museum of Folk Art and Traditions, Rome, 1992) and Andrey Parshikov’s Intimate Capital (presented at several spaces in Moscow in 2010). These projects were based on the delegation of the selection of works to artists, discussion of a unified field of action, the problem of the motivation behind choices, and the description of various types of relationships.

The title of this year’s Garage Triennial is borrowed from a 2017 book by Russian mathematician Roman Mikhailov, written in a special, process-based language that uses no symbols and allows for many readings without a definite plot. (The title, however, is not the theme. Participants can choose to respond to the title or the book or retain complete creative independence.)

The principle of recommendation extends to several Triennial events taking place at Garage partner institutions. With the support of the Triennial, curators and managers of partner institutions have invited contemporary art professionals to give masterclasses or lectures or take part in a residency at their space. As with artists recommending participants for the 2nd Garage Triennial, the reasons for their choices are entirely the responsibility of the inviting party. Due to limitations imposed by the pandemic, most events will take place in 2021. This year, the Triennial has supported collaboration between the School of Engaged Art (St. Petersburg) and the artists and researchers Anna Engelhardt (London) and Sasha Shestakova (Moscow); a Twitch broadcast from the phantom office of the art institution Krёlex Zentr; and a seminar by independent curator, art historian, and lecturer Elena Yaichnikova (Lyon/ Moscow) at Typography Center for Contemporary Art (Krasnodar).